HOW MUCH IS TOO MUCH?

HOW MUCH IS TOO MUCH?
Curated by 20 international students from the School for Curatorial Studies.

In a society that is constantly looking for more, we often find ourselves thinking, how much is too much?

Opening on the 28th September 2017 at 6.pm

28 September 2017 – 31 January 2018 A plus A Gallery, Venice



 



























 















 



 



 




   

In Invisible Cities, Italo Calvino describes the "continuous city" of Leonia, where "every morning the people wake between fresh sheets, wash with just-unwrapped cakes of soap, wear brand-new clothing, and listen to the last-minute jingles from the most up-to-date radio." Though 45 years have passed, Leonia evokes a familiar image for us today. Global cities are overwhelmed with the seemingly endless amount of things to do and see, not to mention products to consume. With this ambush of physical and emotional stimuli, we cannot help but wonder how contemporary society is able to sift through it all. How do we filter through abundance and store our selections? In a society constantly looking for more, we often find ourselves thinking, How Much is Too Much?

 

Confronted with excess, our instinctive reaction is to organize and compartmentalize our thoughts and experiences. On the one hand, this can serve as an effective coping mechanism to deal with topics we are not ready to address. On the other, it can function as a form of denial or stigmatization. We accumulate and expel, putting things aside to deal with them later, but more often than not we forget what we have put away in the first place. What do our discarded experiences, interactions, thoughts, and objects say about us? How does compartmentalizing as an attempt to manage excess affect our psyche, perception, and overall society? Are we missing something when we try to organize, classify, and fit everything into certain structures?

 

Addressing the urgency in these questions, How Much is Too Much? welcomes visitors on an immersive journey to discover the substance of our sensory archives only to pause and reflect upon the impact of our habits of compartmentalization.

 

Following A Plus A Gallery's long history of collective curatorial projects, How Much is Too Much? aims to create an environment of critical reflection for both artist and viewer alike. The exhibition takes the overwhelming excess of contemporary society as its starting point, opening with Giles Round's playful pieces that encroach upon the very walls they inhabit and thus reference the sensory overload and high-speed dissemination of popular culture, Benjamin Hirte's minimal reflections on how our behavior is organized by commercial branding and familiar visual cues, and Vanessa Safavi's more subdued explorations of interiority and all that is hidden. Teased with these expressions of excess and internality, viewers will then make their way to a unique compartmentalized display of works by Amelia Crouch, Oliver Czarnetta, Sam Ekwurtzel, Daniel Faust, Paloma Muñoz & Walter Martin, Rohwajeong, and Aki Sasamoto, all of whose practices explore the many methods and consequences of how we deal with the muchness around us. Bringing these artists together using experimental modes of display, How Much is Too Much? presents a wide range of new and existing works to shed light on an increasingly pressing issue of our time. Instead of allowing our compartments to pile up and push further out, teetering on the edge of a landslide, let us examine the contents of what we have sealed away.

 

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Major support for the exhibition is provided by Rajapack and our long time partners We Exhibit and Drusian.

 

 

For information and images contact:

Giulia Artico - Press office

Cell: 3489335693

A plus A gallery

School for curatorial Studies Venice

San Marco 3073

Venezia 30124

info@corsocuratori.com

info@aplusa.it

Tel. 041 2770466














 



















 













The School of Curatorial Studies Venice

Among the principal activities of the A plus A gallery is the The School for Curatorial Studies Venice, founded by Aurora Fonda in 2004 with the purpose of creating an open laboratory for the expression of creativity in the field of visual arts and the professions related to contemporary art. The Course in "Curatorial Practices and Contemporary Arts", now in its 24th Italian edition and the 3rd edition of the International Summer School, is articulated on both a practical and theoretical level towards an experimental approach, culminating in a final event organized by the participating students. The course is an ambitious and challenging project that aims to offer a vision of the complex world of contemporary art and offers a constructive contribution through the works produced by the School and its students. www.corsocuratori.com