Traces (Amnésie) [dir. EL HAJJ / SIAM] - آثار

  • Traces (Amnésie) [dir. EL HAJJ / SIAM] - [...]
Genre : Drama
Type : Documentary
Original title :
Principal country concerned : Column : Cinema/tv
Format : Feature

Beirut 2017: The civil war is over but other wars more underlying are still there. They are emerging on the mutilated bodies of men, on the buildings in destruction and reconstruction, on the faces of women redone. It is through the story of a couple who tries to put an end to a unwanted pregnancy in a country where the act prohibits abortion, that describe the contradictory landscape Lebanese.

A film by Myriam EL HAJJ et Mohamed SIAM

Lebanon - Egypt, Feature Documentary

Type: Feature Documentary
Country: Lebanon - Egypt
Estimated budget: 150 000 €

Myriam EL HAJJ: DIRECTOR
Mohamed SIAM: PRODUCER / CO-DIRECTOR

Contact:
m_siam2000(@)yahoo.com - myriamhage(@)hotmail.com


2017 | JCC - Carthage FIlm Festival, Tunisia
* Selection (film project) - Producers Network (Carthage Pro)
www.jcctunisie.org/jcc2017/eng/producersProjets.php

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AR


بيروت 2017 : الحرب الأهلية انتهت ولكن الحروب الأخرى لا تزال قائمة. آثارها تظهر على أجساد الرجال المشوهة، على المباني المدمّرة والمُرمّمة وعلى وجوه النساء المجَمّلة. يتوضّح المشهد اللبناني المتناقض من خلال قصة زوجين يحاولان وضع حد لحمل غير مرغوب فيه في بلد يحظر فيه الإجهاض

مخرجة
ميريام الحاج

محمد سيام : مخرج ومنتج

نوع : فيلم وثائقي
البلد : لبنان - مصر
150 الميزانية التقديرية :€ 000

Contact :
m_siam2000(@)yahoo.com - myriamhage(@)hotmail.com


Source: www.jcctunisie.org/jcc2017/ar/producersProjets.php

Partners

  • Arterial network
  • Media, Sports and Entertainment Group (MSE)
  • Gens de la Caraïbe
  • Groupe 30 Afrique
  • Alliance Française VANUATU
  • PACIFIC ARTS ALLIANCE
  • FURTHER ARTS
  • Zimbabwe : Culture Fund Of Zimbabwe Trust
  • RDC : Groupe TACCEMS
  • Rwanda : Positive Production
  • Togo : Kadam Kadam
  • Niger : ONG Culture Art Humanité
  • Collectif 2004 Images
  • Africultures Burkina-Faso
  • Bénincultures / Editions Plurielles
  • Africiné
  • Afrilivres

With the support of