Kenny Mann

Kenny Mann
© D. R.
Film director, Producer, Screenwriter
Principal country concerned : Column : Music, Theater, Cinema/tv, Dance

Title/Occupation: Educator Producer
Services Provided: Narration/Translation Seminars/Workshops/Conference
Gender: Female
Race: Caucasian/White
Citizenship: British/USA
Languages Spoken: English, German, Kisuaheli

Brief Message to Members (IDA): I have a good narrative voice (British accent, but East African twinge) for documentary films. Excellent researcher. I work well in foreign countries - I've worked in Africa, Europe and the USA. Good organizer/producer Decent camera work

BIOGRAPHY
I was born and raised in Kenya.
My Polish/Romanian parents had settled there after fleeing Hitler in 1939. I attended schools in Kenya, earning My "O" and "A" Levels at the Kenya Girls' High School in Nairobi, and went on to earn a B. Sc. in zoology, botany and chemistry at the University of Nairobi in 1968. While in Kenya, my main interests were in theater, film and radio, and I was involved in many local productions as an actress or on the production side. From the age of 16, I contributed feature articles to Kenya's main newspaper, the East African Standard and also worked free-lance for Kenya's radio station, the Voice Of Kenya, dramatizing and acting in radio plays. My life since then has always been involved in radio, film, journalism and teaching. After graduating from the University of Nairobi in 1968, I attended Bristol University, UK, from 1969 - 1970, where I earned a postgraduate Diploma in Film Technology and Theatre History. This entailed all aspects of 16mm and 35mm film-making, including camera, sound recording and editing. I was closely involved with productions at the renowned Bristol Old Vic and with the BBC's Natural History branch in Bristol. During this period, I was involved in several award-winning student films as producer, camera and/or sound technician/editor. After graduation, I worked in London as Production Assistant for Maya Film Productions - an award-winning independent film company run by England's renowned producer, Barney Platts-Mills.. In 1970, I moved to Hamburg, Germany, to work for the film and television production company, Windrose-Dumont-Time, on a series of 16 films on animal behavior. I worked closely with scientific experts for each film, translating their data into layman's terms, and wrote the scripts for six of the films, all of which were broadcast world-wide. I also wrote and produced Chefa Jila, a documentary on an Ethiopian village, which was broadcast on German television in July, 1974. Another product of this period was Power Play, a black-and-white experimental film illustrating the futility of ambitions for power, which was screened in several Hamburg film theaters and was alter included in Alwaysi's web-based Throwback Film Festival in 2002. I left the film industry because of union limitations both in the UK and in Germany. From 1972 - 1974, I worked as PR Manager for Polydor records in Hamburg, taking visiting music groups on tour throughout Germany. For the 12 years that I lived in Hamburg, I was also a free-lance contributor to countless newspapers, magazines and radio shows, writing (in German) on everything from pop to politics. I frequently read my own dramatized works of fiction in Hamburg's many literary venues. In 1982, I moved to the United States, where I continued to work as a journalist and to follow another calling as a teacher. In 1992, I graduated from Bank Street College of Education in Manhattan with a Masters Degree in Education and since then, I have taught creative non-fiction and fiction writing to students of all ages in schools throughout Long Island and the Triborough district. For seven years, I was Professor of Writing and the Writing Program Coordinator at Friends World Program, an international college based in Southampton. Although that school is now called Global College and affiliated with Long Island University in Brooklyn, I still teach the graduating students' Senior Thesis Seminar every spring. In May, 2008, I started teaching a course on documentary film making at Manhattan's Digital Film Academy. I have also taught many courses in professional development for teachers. The most recent was for Primary Source in Boston in October, 2007, where I ran a workshop on East African history that included curriculum development on this topic for all grades. I have also run several teachers' workshops on curriculum development, including one at Bank Street College of Education titled Including Indigenous People in the Social Studies Curriculum and several for various high schools on Writing Across the Curriculum; and Curriculum Development in Any Content Area. Most recently, I ran the latter course at the United States International University in Nairobi, Kenya (2006) for a group of 38 teachers in all faculties, including math, political science, geography and environmental studies. I have also conducted various workshops for teachers for BOCES (Board Of Cooperative Educational Services) on Long Island, and have worked in many high schools to enhance their African studies curriculum. I have authored several books for the educational market, among them an award-winning six-part series titled African Kingdoms of the Past (Simon & Schuster/Dillon Press, 1992 - 1996), as well as The Ancient Hebrews and Isabel and Ferdinand in Fifteenth Century Spain (Benchmark Books, 1995 and 1996). I have published poetry and fiction in various small presses as well as Yellow Dog Dreaming (Wiseacre Press, 1995), a collection of illustrated short stories about white women in Africa. In recent years, I have resumed film-making. In 2002, I completed a 15mn 16mm black-and-white film titled Surrender which was selected for the 2002 Independent Film Project market where it was picked up by the Independent Film Channel and broadcast frequently for three years. That film is now being distributed by Renew Media. In January/February of 2004, I traveled around southern India and produced a "documentary" titled India - And Other Thoughts as a break-through model for Windows Movie-Maker for audio-visual story-telling using still shots, video clips, voice over narration, live sound and written passages. From 1990 to 2006, I have been filming my mother and my family for a documentary titled Riding The Equator which concerns my Jewish parents' extraordinary life and work in Kenya and which will go into post-production in 2008. During 2007, I shot, wrote and produced THE SWAHILI BEAT, an upbeat look at the fascinating history of East Africa's Islamic coast, packed with indigenous music and dance and geared towards the high school educational market. This film is now distributed by Documentary Educational Resources (DER). From 2006 to the present, I have been working in Senegal on my documentary film titled Walking WITH LIFE: HUMAN RIGHTS, ISLAM AND SOCIAL CHANGE IN SENEGAL, on the impact of human rights education there. This film is now complete and a marketing campaign via social networks and new media is being developed. My feature-length script titled Exposed - a post-9/11 thriller set in the Hamptons, is under consideration for development by LA production company Noble House Entertainment.

Partners

  • Arterial network
  • Media, Sports and Entertainment Group (MSE)
  • Gens de la Caraïbe
  • Groupe 30 Afrique
  • Alliance Française VANUATU
  • PACIFIC ARTS ALLIANCE
  • FURTHER ARTS
  • Zimbabwe : Culture Fund Of Zimbabwe Trust
  • RDC : Groupe TACCEMS
  • Rwanda : Positive Production
  • Togo : Kadam Kadam
  • Niger : ONG Culture Art Humanité
  • Collectif 2004 Images
  • Africultures Burkina-Faso
  • Bénincultures / Editions Plurielles
  • Africiné
  • Afrilivres

With the support of