ARTICLES

"We proudly present … the picture they didn't want you to see!": Black Film Advertisements, 1946-1960(pp. 5-33)
Ellen C. Scott
DOI: 10.2979/blackcamera.5.1.5
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.5
Haiti: Witnessing as Revolutionary Praxis in Raoul Peck's Films(pp. 34-55)
Toni Pressley-Sanon
DOI: 10.2979/blackcamera.5.1.34
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.34
The Paraphernalia of Suffering: Chris Rock's Good Hair, Still Playing in the Dark(pp. 56-71)
Joi Carr
DOI: 10.2979/blackcamera.5.1.56
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.56

INTERVIEW

Madeline Anderson in Conversation: Pioneering an African American Documentary Tradition(pp. 72-93)
Michael T. Martin
DOI: 10.2979/blackcamera.5.1.72
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.72

CLOSE-UP: AFROSURREALISM

Meditation(p. 94)
Terri Francis
DOI: 10.2979/blackcamera.5.1.94
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.94
Introduction: The No-Theory Chant of Afrosurrealism(pp. 95-111)
Terri Francis
DOI: 10.2979/blackcamera.5.1.95
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.95
[Document] Afrosurreal Manifesto: Black Is the New black-a 21st-Century Manifesto(pp. 113-117)
D. Scot Miller
DOI: 10.2979/blackcamera.5.1.113
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.113
After the End of the World: Sun Ra and the Grammar of Utopia(pp. 118-139)
Anthony Reed
DOI: 10.2979/blackcamera.5.1.118
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.118
The Art of Storytelling in Kara Walker's Film and Video(pp. 140-163)
Rebecca Peabody
DOI: 10.2979/blackcamera.5.1.140
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.140
"Just Another Word for Jazz": The Signifying Auteur in William Greaves's Symbiopsychotaxiplasm: Take One(pp. 164-183)
Akiva Gottlieb
DOI: 10.2979/blackcamera.5.1.164
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.164
Of the Ludic, the Blues, and the Counterfeit: An Interview with Kevin Jerome Everson, Experimental Filmmaker(pp. 184-208)
Terri Francis
DOI: 10.2979/blackcamera.5.1.184
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.184
Close-Up Gallery: The Afrosurrealist Film Society(pp. 209-219)
Terri Francis
DOI: 10.2979/blackcamera.5.1.209
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.209
Filmmaker's Journal: resonanz.01 (2008-2013) notes / fragments on a case of sonic hauntology(pp. 220-225)
Tony Cokes
DOI: 10.2979/blackcamera.5.1.220
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.220
Filmmaker's Journal: Notes on The Lincoln Film Conspiracy(pp. 226-231)
Ina Diane Archer
DOI: 10.2979/blackcamera.5.1.226
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.226
Commentary: Haunting in Akosua Adoma Owusu's Short Experimental Films(pp. 232-236)
Nzingha Kendall
DOI: 10.2979/blackcamera.5.1.232
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.232

FESPACO 2013

[Document] A Name Is More Than the Tyranny of Taste(pp. 237-250)
Wole Soyinka
DOI: 10.2979/blackcamera.5.1.237
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.237
Africultures Dossier: Report from FESPACO 2013: Renewal or Demise(?)(pp. 251-266)
Olivier Barlet
DOI: 10.2979/blackcamera.5.1.251
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.251

BOOK REVIEWS

Paula J. Masood, Making a Promised Land: Harlem in Twentieth-Century Photography and Film(pp. 267-269)
Review by: Paul Hansom
DOI: 10.2979/blackcamera.5.1.267
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.267
Charlene Regester, African American Actresses: The Struggle for Visibility, 1900-1960(pp. 269-273)
Review by: Karen Bowdre
DOI: 10.2979/blackcamera.5.1.269
Stable URL: http://www.jstor.org/stable/10.2979/blackcamera.5.1.269